Showing posts with label Tazeen Hasan. Show all posts
Showing posts with label Tazeen Hasan. Show all posts

Monday, September 19, 2016

Google & YouTube in Hot Waters: European Union targets tech-giants in copyright reforms




Media Bites Editorial – Tazeen Hasan
European Union is determined to end Google’s free riding with its new copy right initiative on digital contents. The tech giants who are making huge profits out of nowhere will be obliged to share profits now with content producers.
European Union laid out a copy right plan for digital media this Wednesday September 14, and the US tech giant Google which was long been blamed for the demise of newspaper business has been targeted along with other digital platforms.
This means that Google could have to pay to publishers for hosting stories, or even snippets – headlines, accompanying pictures, quotes and introductory sentences – in future.
Publishers’ groups have welcomed the news as they claim to contribute to the success of digital platforms by providing high quality contents. Yet, they maintain that google and other  platforms do not share their profits fairly.
Similar to publishers,  the artist community blamed the YouTube and said more people are listening to music than ever, but this is not reflected in performers’ income.
The current EU proposal would make it mandatory for video platforms to scan users’ content for protected material.
Such material is today removed only after individual complaints, and, in many cases, is reposted under a different username almost immediately afterward.
Furthermore the EU also wants to increase transparency by forcing platforms to provide profit figures to make it clear how much money they are making on artists and reporters’ content.
It should be noted that the same copy right initiative had failed in Germany and Spain in the past as some websites saw traffic drop by up to 80 percent as a consequence and eventually 90 percent of the news websites had to  waive their rights to Google.
Google  voiced criticism over the way the commission wanted to support content producers. ”Paying to display snippets is not a viable option for anyone”, Google’s Caroline Atkinson wrote.
The European Parliament’s rapporteur on copyright, Julia Reda also criticised the plan calling it a ”disaster for the Internet”.
EU is trying it's best to maintain a balance between content producers and platforms but  in last two decades digital oligarchy have become the most powerful reality of this world.  They are not states or superanatural powers like European Union but still they have achieved a dictatorship status who have full authority over their netizens.
Media Bites Editorial – Tazeen Hasan

Friday, August 19, 2016

Breaking News: Muslim American Dalilah Muhammad won Gold in Rio


Tazeen Hasan

Another Muhammad represented the USA in the Rio Olympics and also struck gold. And while she didn't get the deserved attention in the media as hijab-wearing  Ibtihajaj Muhammad did for all the wrong reasons,  Dalilah Muhammad has also brought a gold for America. Worth mentioning it’s the first time an American woman has won a gold medal in this event. And yes, it is another slap in the face of bigotry and anti-Muslim rhetoric rampant today in American politics and media alike.

I Just came across this breaking news from NBC  that Dalilah Muhammad won the first ever gold by a U.S. woman in the 400m hurdles, beating the field by nearly a half second. Teammate Ashley Spencer won bronze as they captured the 99th and 100th American medals in Rio.




Born in 1990, Dalilah belongs to Jamaica neighbourhood mostly inhabited by Afro-Americans, Latinos and Asians in Queens county of New York city.  and has won several medals in the past.   
An American National Champion for the Year 2013 and 2016, she has several outstanding achievements including a personal record of 52.88 seconds for 400m hurdles.  In the past, she was a gold medalist at the 2007 World Youth Championships in Athletics  and silver medalist at the 2009 Pan American Junior Athletics Championships. As a student of University of Southern California on the Sports Scholarship, she ran for the USC Trojans where she was a four-time All-American at the NCAA Outdoor Championship.




Surprisingly, Muhammad did not get media coverage like hijab-wearing Ibtihaj Muhammad.  I came across the news at NBC News (delivered to my inbox) and googled for further information. No mainstream news outlet has headlines for a woman who brought gold for America. She is another slap in the face of  bigotry and anti-Muslim rhetoric.
However, an outlet Hollywoodlife.com stated: "It was the first time ever that the U.S.A. did a clean sweep in a women’s track and field events and will probably be one of the biggest highlights of the Rio 2016 games!"


Muhammad's parents, Nadirah and Askia Muhammad who attended Rio to cheer for her, had told New York times earlier this month that Muhammad’s Muslim faith, along with her discipline and talent, has been instrumental in her reaching the Olympics.


Wednesday, December 2, 2015

SOCIAL MEDIA ROUNDUP




Tuesday, November 17, 2015

Blundell: Best editing advice I've ever read!


"Writers who write more than one opening for the same piece, or who do a lot of blocks moving as they shift material around, have basic organizational problems. They are wasting time and material resources. They'll end up driving themselves- and their editors crazy." writes Jack Hart in 'A Writer's Coach'

I humbly do not agree with what the distinguished writer says in the above quotation. In fact, I am the one, he is talking about. As E. L Doctorow says, "Writing is an exploration. You start from nothing and learn as you go."

Yes, I  try more than one opening for a single piece and I do that because I am creative and I care about my reader. I try to visualize  which opening will be more engaging before finalizing and sometimes take advice from my editing buddies.

And yes. I do move the blocks. All writing experts say writing is re-writing. In the first draft, I just try to wrap up the story including the main facts. I try to leave it for sometimes then start editing. And as Blundell advises, I first edit to lengthen it does not shorten it i.e I try to fill the gaps in the story. Work on transitions and sometimes switch blocks.
'On Writing Well' or in some other writing book, the writer says everybody is different. So adopt what suits you. Two good writers may have entirely different writing habits. In the end what matters is what suits you.


Below are some tips from Blundell on editing. This is the best writing and editing advice, I found out of  a dozen of writing books I have been following since a year.

EDIT FOR LENGTHENING THE STORY NOT SHORTENING IT
Read quickly through the story. 
Look first the ways to lengthen it, not to shorten it. 
If you have omitted some portions of reporting that buttress the key sections. 
Some point of explanation that will make things clearer. Make sure 
Everything needed to make the story clear and convincing is in it. (BTW I love this tip. It has given me so much freedom that I feel myself flying)
PAY SPECIAL ATTENTION TO THEMES AND CONCLUSIONS
pay special attention to conclusions and summaries including main theme statement.
Check do they say exactly what you want to say? and are they as forceful as the material that back them up?
(I am still trying to learn it but not as much successful)
PAY ATTENTION TO TRANSITIONS
Pay attention to transitional material, attributions and explanations.
SHARPEN THE VERBOSE ELEMENTS
If any are verbose or fuzzy?  Is your account extra flowery? have u used words like magniloquent? and grandiloquent? Try to sharpen it.
Is your account redundant?  have you repeated same facts repeatedly?
Is there any secondary character annoying you? Get rid of him immediately  if he is not needed.
DON"T CUT ENTIRE SENTENCES TO SHORTEN YOUR STORY
Alternately, first micro-cut i-e make space by cutting extra words. Avoid major surgery in the beginning.
Blood and bone get away with the fats and some wounds appear that must be stitched. Adress the gaps left after editing.
Word by word editing takes more time
Siamese twin sentences should be combined.
Slowly a better brisker story takes shape.
Check if  a simple statement can do instead of full set of proofs?
Thank you Michael for Blundells scanned pages. I have ordered the book.







Tuesday, October 20, 2015

Time to organise the researched Stuff!



Research shows most common flaw of a feature is poor organization. A successful feature needs well-organised material shaped into an engaging story with a strong lead and lively writing.

The hard part is not researching but effectively organizing the tons of material into a finished story.
Even harder is sifting and sorting the stuff and select the right one in specified word limit.

Here are some tips extracted from 'Writing Feature Stories' by Australian journalist Ricketson.

USE ONE OF THE TWO APPROACHES TO ORGANIZE YOUR MATERIAL
Make a list of your interviewee and documents and summarize the strongest quotes under each person name and useful facts from documents. One writer says she writes the most relevant paragraphs from immediately after interviews.

Alternately for complex features list the quotes and facts under six categories of key questions i.e Backgrounder questions, Scope questions, why questions, impact questions, reaction questions and looking ahead questions. A leading journalists research shows this is the most effective methodology.


GO THROUGH ALL THE MATERIAL FOR SIFTING
Go through all the material keeping in view the story. Highlight relevant facts and figures and comments from interviewees which can move the story forward and are interesting enough.

KEEP AN EYE ON THE CREAMY STUFF
Constantly keep an eye on Creamy stuff i-e dramatic scenes, anecdotes as well as potential leads and closes.

USE BOTH SIDES OF YOUR BRAIN
Talk to the editor or some reliable friend about the story now. It will clarify things in your mind and you will realize gaps in the story. You may get useful suggestions.
After the first draft logically using the left side of your brain, give some time to your right side of the brain which exudes creativity and initiative.  both sides of your brain. left logical right intuitive, creative and emotional.

DON'T WAIT TOO MUCH FOR INSPIRATION
But don't wait too much for the inspiration to strike. Let the right side do its work but start writing from left side otherwise you may end up rushing the piece risking factual errors and structural flaws or miss the deadline altogether. sometimes right side starts working after the first draft.

FORM A COMPELLING LEAD AND BILLBOARD PARAGRAPH

You need to grab reader's attention by alarming them, enticing them or intriguing them.
Ask yourself what is my story about in a nutshell? Why is it worth reading?
There is no formula for a successful feature, but there are do's and do's that can help.

Extracted from Writing Feature Stories by Matthew Ricketson

Tuesday, October 6, 2015

Key questions that need to be answered in a newspaper feature


Feature stories have different colors and flavors, but there are some fundamental questions we should keep in mind while planning and writing  feature. Some of the questions are fundamental to a particular story, some are peripheral and some are not needed.

BACKGROUND QUESTIONS?
What is the history of issue or event?
Is the history central or peripheral to the story?
Does the issue represent  the continuation of its historical context or have changed from it?

SCOPE QUESTIONS?
How big is the issue?
How widespread is the impact of the issue such as national, international, provincial, or local?
Is the issue rising or falling?
How many different ways the issue manifest itself?
Are there any hotspots that epitomise it?
Does any other issue bear on the one you are writing about?
Does other issue heighten its importance or diminish?

WHY QUESTIONS
Economic: Is money involved? Can we follow the money trail?
Legal: Are changes in law, taxes or regulation are affecting different parties? What? and How?
Political: whether politics plays a part?
Psychological: Are there any emotional or psychological forces?

IMPACT QUESTIONS
Who is likely to be helped / hurt?
What is the emotional response of helped or hurt people?


REACTION QUESTIONS
Who is screaming loudest?
What are they saying or doing?
What is the impact of screaming ?

LOOKING AHEAD QUESTIONS
What is likely to happen in the future?
What people involved and observers are saying will happen in the future?

Extracted from Matthew Rickeston's Writing Feature Stories. 

Diasporic Media



The word diaspora is derived from the Greek word diaspeirein, which means scattering of the seeds. The history of diaspora and human migration is as old as the history of mankind. About 3.5 percent of world population lives outside their countries of origin. Diasporic communities always seek an association to their land of origin. At the same time, they want to be connected closely to each other in host countries in order to get help in the settlement process. Diasporic media provide channels to achieve these goals.

There are different representations  of  diasporic communication as social media outlets, television channels, radio, and   newspapers. It is mainly linked by social characteristics as religion, ethnicity, language and culture and consists of the media outlets for immigrants and usually run by immigrants themselves.

While diasporic media not only satisfies the nostalgia of migrants,  it creates profitable business opportunities within the community and can promote cultural and ethnic activities. 

There are 3000 diasporic media organizations in the US where 36 percent of the population of Newyork is foreign-born and people speak 170 different languages.  
The Government, politicians, business corporations are increasingly realizing the power of diasporic media worldwide.   With increased multiculturalism, development of digital age and significance of ethnicity as an individual's identity, it also opens the vibrant market for media corporations.


Media of Diaspora